A huge embarrassment for ‘This American Life’ …
RETRACTING “MR. DAISEY AND THE APPLE FACTORY”
16 March 2012
Ira [Glass, Executive Producer and Host of This American Life] writes:
I have difficult news. We’ve learned that Mike Daisey’s story about Apple in China – which we broadcast in January – contained significant fabrications. We’re retracting the story because we can’t vouch for its truth. This is not a story we commissioned. It was an excerpt of Mike Daisey’s acclaimed one-man show “The Agony and the Ecstasy of Steve Jobs,” in which he talks about visiting a factory in China that makes iPhones and other Apple products.
The China correspondent for the public radio show Marketplace tracked down the interpreter that Daisey hired when he visited Shenzhen China. The interpreter disputed much of what Daisey has been saying on stage and on our show. On this week’s episode of This American Life, we will devote the entire hour to detailing the errors in “Mr. Daisey Goes to the Apple Factory.”
Daisey lied to me and to This American Life producer Brian Reed during the fact checking we did on the story, before it was broadcast. That doesn’t excuse the fact that we never should’ve put this on the air. In the end, this was our mistake.
We’re horrified to have let something like this onto public radio. Many dedicated reporters and editors – our friends and colleagues – have worked for years to build the reputation for accuracy and integrity that the journalism on public radio enjoys. It’s trusted by so many people for good reason. Our program adheres to the same journalistic standards as the other national shows, and in this case, we did not live up to those standards.
A press release with more details about all this is below. We’ll be posting the audio of the program and the transcript on Friday night this week, instead of waiting till Sunday.
Mike Daisy’s response:
I stand by my work. My show is a theatrical piece whose goal is to create a human connection between our gorgeous devices and the brutal circumstances from which they emerge. It uses a combination of fact, memoir, and dramatic license to tell its story, and I believe it does so with integrity. Certainly, the comprehensive investigations undertaken by The New York Times and a number of labor rights groups to document conditions in electronics manufacturing would seem to bear this out.
What I do is not journalism. The tools of the theater are not the same as the tools of journalism. For this reason, I regret that I allowed THIS AMERICAN LIFE to air an excerpt from my monologue. THIS AMERICAN LIFE is essentially a journalistic - not a theatrical - enterprise, and as such it operates under a different set of rules and expectations. But this is my only regret. I am proud that my work seems to have sparked a growing storm of attention and concern over the often appalling conditions under which many of the high-tech products we love so much are assembled in China. [emphasis added]
For the second time this week, I say: this reminds me of some bloggers.
It’s just not good enough nor credible to pose as someone who appears to abide by journalistic values of truth and accuracy, purporting to ‘report’ ‘facts’ … but inserting lies, distortions and partisan disinformation … then, when shown to be a liar, trotting out a ‘but I’m not a journalist‘ routine.
Update: Here’s Rob Schmitz’s more detailed account of uncovering Mike Daisy’s ‘dramatic licence’ (read: deceit) An acclaimed Apple critic made up the details (marketplace.org)